Abstract:
After 1975, Moldovan figurative painting continues the path of national treatment
of form through experimental searches of a progressive character, which
gradually asserts itself in the "tense" atmosphere of time. the figurative image
tends to an artificial insertion in the composition, often apparently cut from
photographic sequences accidentally captured from real life. Included in the
plastic frame through a process of "assembly" the figurative preserves the
archaism and pure sensitivity, unadorned and unregulated, and its direct
inclusion in the plastic frame produces a metaphorical perception of the face,
state or experience derived from the event